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All Catalogs> AP*/Honors> Art History> Art Across Time (Adams), 3rd Edition> Overview

     

Art Across Time (Adams), 3rd Edition
©2007
Hardcover
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Table Of Contents

Art across Time speaks to students in a voice they will remember, combining sound scholarship with lively prose enhanced with a lavishly presented program of images. Most of the illustrations are presented in a larger format than in other art history texts to allow students to view details and elements of composition with greater ease and interest. The new third edition offers a variety of improvements, including new visual Connections between works, increased color and architectural diagrams, an enhanced map program to reinforce geographical context, new boxed readings, and a revised art program and text design.

Art across Time offers readers more than a chronology of art; it introduces political, economic, social, and personal concerns that influence the artists and inform their work, uniquely conveying the ideas, beliefs, and circumstances that inspire creativity.

In addition, the illustration program is available to adopting instructors in digital format in The Image Vault, McGraw-Hill's new web-based presentation manager. Instructors can incorporate images from The Image Vault in digital presentations that can be used in class offline, burned to CD-ROM, or embedded in course Web pages. See www.mhhe.com/theimagevault for more details.

Features:


New Part openers, effective previews of the periods covered in each of the seven text parts briefly encapsulate the most significant characteristics of civilizations and cultures. The beautifully designed part openers are approximately 150 words in length, economically helping to place the art within its social and historical context.

Available Supplements (Additional to those listed under Supplements Section): Films for Humanities, Music Listening CDs

 
 
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Art in Focus


Glencoe Art in Focus is the standard for richness and thoroughness in studying art history; an integrated, chronological approach demonstrating the interrelationships of aesthetic, art criticism, art history, and studio art.
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